<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:media="http://search.yahoo.com/mrss/"
	
	>

<channel>
	<title>Pedro Paulø-Venzon</title>
	<link>https://pedrovenzon.com</link>
	<description>Pedro Paulø-Venzon</description>
	<pubDate>Sun, 24 Mar 2024 12:38:45 +0000</pubDate>
	<generator>https://pedrovenzon.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Cavala</title>
				
		<link>https://pedrovenzon.com/Cavala</link>

		<pubDate>Sat, 08 Jul 2023 13:10:22 +0000</pubDate>

		<dc:creator>Pedro Paulø-Venzon</dc:creator>

		<guid isPermaLink="true">https://pedrovenzon.com/Cavala</guid>

		<description>
	



&#60;img width="874" height="1458" width_o="874" height_o="1458" data-src="https://freight.cargo.site/t/original/i/9f6819a1f2b6bbc6b6772778a897746614dfeddd187d5488e873020aad182329/CAVALA-CHAIR---2023.jpg" data-mid="184498121" border="0" data-scale="32" src="https://freight.cargo.site/w/874/i/9f6819a1f2b6bbc6b6772778a897746614dfeddd187d5488e873020aad182329/CAVALA-CHAIR---2023.jpg" /&#62;



	




A ORGIA DAS TARAS / seriesCAVALA


Each piece is entirely handcrafted from solid Sucupira wood, aged 175 years. Celebrating the material’s natural character, history and individuality, every object carries its own unique marks and qualities.

Limited to an edition of just 10 pieces, each is individually numbered and signed.

A singular edition. No two pieces alike.

MMXXIII
</description>
		
	</item>
		
		
	<item>
		<title>AVOA</title>
				
		<link>https://pedrovenzon.com/AVOA</link>

		<pubDate>Mon, 09 Apr 2018 13:23:30 +0000</pubDate>

		<dc:creator>Pedro Paulø-Venzon</dc:creator>

		<guid isPermaLink="true">https://pedrovenzon.com/AVOA</guid>

		<description>

AVOA




MMXIII



The motivation for the development of the Avoa Chair is autotelia, the autonomous design discourse. The challenge was to think of an object as a quote, a resumption of the minimal elements that form a chair: small seat, economical design, and delicate balance.



&#60;img width="3500" height="5000" width_o="3500" height_o="5000" data-src="https://freight.cargo.site/t/original/i/2401b23f73990dd1f1c1cbc96eaab05f5db61fd39f21b01209ea81f0347e35ed/Avoa-Chair-02-.jpg" data-mid="15462687" border="0" data-scale="66" src="https://freight.cargo.site/w/1000/i/2401b23f73990dd1f1c1cbc96eaab05f5db61fd39f21b01209ea81f0347e35ed/Avoa-Chair-02-.jpg" /&#62;


&#60;img width="4000" height="5714" width_o="4000" height_o="5714" data-src="https://freight.cargo.site/t/original/i/fbb26a088bdfd289b301844dd51547faf8652711abc1ca5fc1743f5e40ed0974/Avoa-Chair-.jpg" data-mid="14981691" border="0"  src="https://freight.cargo.site/w/1000/i/fbb26a088bdfd289b301844dd51547faf8652711abc1ca5fc1743f5e40ed0974/Avoa-Chair-.jpg" /&#62;





	


	



Awarded &#124; Restaurant &#38;amp; Bar Product Design Awards . 2016

Exhibition &#124; Evergreen Brasil - Casa Vogue x Luminaire . 2016



Selected &#124; Salão Design . 2015 


</description>
		
	</item>
		
		
	<item>
		<title>ANCA</title>
				
		<link>https://pedrovenzon.com/ANCA</link>

		<pubDate>Sun, 06 May 2018 17:24:16 +0000</pubDate>

		<dc:creator>Pedro Paulø-Venzon</dc:creator>

		<guid isPermaLink="true">https://pedrovenzon.com/ANCA</guid>

		<description>
	

TRÍPTICO INFAME /
ANCA

MMXVIII



&#60;img width="1334" height="1334" width_o="1334" height_o="1334" data-src="https://freight.cargo.site/t/original/i/7c33587d057f5b61e07dca1be31218140af319c6173de267f3c146cd9a5e33ed/teste-06-.jpg" data-mid="15940074" border="0" data-scale="36" src="https://freight.cargo.site/w/1000/i/7c33587d057f5b61e07dca1be31218140af319c6173de267f3c146cd9a5e33ed/teste-06-.jpg" /&#62;












	

&#60;img width="3200" height="3200" width_o="3200" height_o="3200" data-src="https://freight.cargo.site/t/original/i/2d8fc02df0679620bee36927a656320ab74e98a6fa25f10ce793346ca5496e8c/Teta-04-.jpg" data-mid="17812704" border="0" data-scale="55" src="https://freight.cargo.site/w/1000/i/2d8fc02df0679620bee36927a656320ab74e98a6fa25f10ce793346ca5496e8c/Teta-04-.jpg" /&#62;
	
&#60;img width="3000" height="3000" width_o="3000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/a55c9a3e3da5e9f4f0dd269efae6538c76df89cb27293aebd3f93b96bbb00c59/Anca-02-.jpg" data-mid="18544260" border="0" data-scale="87" src="https://freight.cargo.site/w/1000/i/a55c9a3e3da5e9f4f0dd269efae6538c76df89cb27293aebd3f93b96bbb00c59/Anca-02-.jpg" /&#62;


	





	

ANCA /&#38;nbsp;

MMXVIII


The “Tríptico Infame” (“Infamous Triptych”) is a look at the colonial devices, the technologies of confession and the rigid discipline that operated in the production of a redemptive iconography.&#38;nbsp;The piece intends to establish a hybrid relationship between severity and lightness, between sculpture and furniture, from a division between that which forms the order of function and that which, desecrating it, establishes dialogues not only with decolonial hyphenation, but also with contemporary aesthetic discourses.



	
</description>
		
	</item>
		
		
	<item>
		<title>SENTADA</title>
				
		<link>https://pedrovenzon.com/SENTADA</link>

		<pubDate>Thu, 12 May 2022 13:55:09 +0000</pubDate>

		<dc:creator>Pedro Paulø-Venzon</dc:creator>

		<guid isPermaLink="true">https://pedrovenzon.com/SENTADA</guid>

		<description>
	



&#60;img width="2310" height="3850" width_o="2310" height_o="3850" data-src="https://freight.cargo.site/t/original/i/71b402296d2c35a8e6328c034b507cdc129bcf0bedf84b91e6e9fd2009516c5c/Sentada-Chair-01.jpg" data-mid="171599979" border="0" data-scale="90" src="https://freight.cargo.site/w/1000/i/71b402296d2c35a8e6328c034b507cdc129bcf0bedf84b91e6e9fd2009516c5c/Sentada-Chair-01.jpg" /&#62;

	
&#60;img width="2100" height="3500" width_o="2100" height_o="3500" data-src="https://freight.cargo.site/t/original/i/c72d31ed1183e779b05b83fe9c887c52dab283912a0ddc8be37f5e073e050ca9/sentada-chair-01.jpg" data-mid="207657233" border="0" data-scale="63" src="https://freight.cargo.site/w/1000/i/c72d31ed1183e779b05b83fe9c887c52dab283912a0ddc8be37f5e073e050ca9/sentada-chair-01.jpg" /&#62;




	




AS OUTRAS MORALIDADES / (The Other Moralities)SENTADA

MMXXII
</description>
		
	</item>
		
		
	<item>
		<title>Rasgada</title>
				
		<link>https://pedrovenzon.com/Rasgada</link>

		<pubDate>Sun, 24 Mar 2024 12:38:45 +0000</pubDate>

		<dc:creator>Pedro Paulø-Venzon</dc:creator>

		<guid isPermaLink="true">https://pedrovenzon.com/Rasgada</guid>

		<description>
	&#60;img width="2100" height="3500" width_o="2100" height_o="3500" data-src="https://freight.cargo.site/t/original/i/33ca1369f32e66797ff294576d82335a2b6399046c1ed18d39a56fe15851eb78/Rasgada-Table-01.jpg" data-mid="207489699" border="0" data-scale="34" src="https://freight.cargo.site/w/1000/i/33ca1369f32e66797ff294576d82335a2b6399046c1ed18d39a56fe15851eb78/Rasgada-Table-01.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="2100" height="3500" width_o="2100" height_o="3500" data-src="https://freight.cargo.site/t/original/i/03631d79392a8e01561a4276774fcc356552e1737de53b2687e7fdae5e497723/rasgada-02.jpg" data-mid="212377974" border="0" data-scale="34" src="https://freight.cargo.site/w/1000/i/03631d79392a8e01561a4276774fcc356552e1737de53b2687e7fdae5e497723/rasgada-02.jpg" /&#62;







	




AS OUTRAS MORALIDADES / seriesRASGADA / table

MMXXVI
</description>
		
	</item>
		
		
	<item>
		<title>AS VIRTUDES ALETÚRGICAS </title>
				
		<link>https://pedrovenzon.com/AS-VIRTUDES-ALETURGICAS</link>

		<pubDate>Mon, 14 Jan 2019 11:59:30 +0000</pubDate>

		<dc:creator>Pedro Paulø-Venzon</dc:creator>

		<guid isPermaLink="true">https://pedrovenzon.com/AS-VIRTUDES-ALETURGICAS</guid>

		<description>
	


&#60;img width="2750" height="3928" width_o="2750" height_o="3928" data-src="https://freight.cargo.site/t/original/i/1a2b770a3db8140ea0770af8267167307d882da07384b9faa50d7aa6fddc6c7a/Virtude---1.jpg" data-mid="171602019" border="0" data-scale="85" src="https://freight.cargo.site/w/1000/i/1a2b770a3db8140ea0770af8267167307d882da07384b9faa50d7aa6fddc6c7a/Virtude---1.jpg" /&#62;




	


AS VIRTUDES ALETÚRGICAS /&#38;nbsp;

MMXX

_
DUAS VIRTUDES SODOMITAS ESPERAM EM SILÊNCIO /
















Two sodomite Virtues wit in silence /










	




	&#60;img width="2500" height="3571" width_o="2500" height_o="3571" data-src="https://freight.cargo.site/t/original/i/ee083b91c8181dea123e448b5fad23c5b9b5efccc2cfbfc559bd26c613bcc31c/As-Vitudes-Aletrgicas---Duas-Virtudes-Aletrgicas-Esperam-em-Silncio---02.jpg" data-mid="171601779" border="0"  src="https://freight.cargo.site/w/1000/i/ee083b91c8181dea123e448b5fad23c5b9b5efccc2cfbfc559bd26c613bcc31c/As-Vitudes-Aletrgicas---Duas-Virtudes-Aletrgicas-Esperam-em-Silncio---02.jpg" /&#62;




&#60;img width="1760" height="3520" width_o="1760" height_o="3520" data-src="https://freight.cargo.site/t/original/i/13e8606e54e7237df23c7bf03b87f36b4e3cf76155bf1756178739c611eddf6c/Duas-Sodomitas-.jpg" data-mid="195568034" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/13e8606e54e7237df23c7bf03b87f36b4e3cf76155bf1756178739c611eddf6c/Duas-Sodomitas-.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>AS VIRTUDES ALETÚRGICAS </title>
				
		<link>https://pedrovenzon.com/AS-VIRTUDES-ALETURGICAS-1</link>

		<pubDate>Tue, 05 May 2020 14:27:11 +0000</pubDate>

		<dc:creator>Pedro Paulø-Venzon</dc:creator>

		<guid isPermaLink="true">https://pedrovenzon.com/AS-VIRTUDES-ALETURGICAS-1</guid>

		<description>




AS VIRTUDES ALETÚRGICAS / MMXX_
UMA VIRTUDE DEITADA FICA INTUMESCIDA /A reclining Virtue lies swollen



&#60;img width="2750" height="3928" width_o="2750" height_o="3928" data-src="https://freight.cargo.site/t/original/i/4012be5e9ef2f06ccb8ad8b7d0b545d8cee433e0826020cb841e152f987fbc48/01010101.jpg" data-mid="159766653" border="0" data-scale="81" src="https://freight.cargo.site/w/1000/i/4012be5e9ef2f06ccb8ad8b7d0b545d8cee433e0826020cb841e152f987fbc48/01010101.jpg" /&#62;









	















</description>
		
	</item>
		
		
	<item>
		<title>COITO</title>
				
		<link>https://pedrovenzon.com/COITO</link>

		<pubDate>Mon, 28 May 2018 12:43:04 +0000</pubDate>

		<dc:creator>Pedro Paulø-Venzon</dc:creator>

		<guid isPermaLink="true">https://pedrovenzon.com/COITO</guid>

		<description>
	&#60;img width="3200" height="4000" width_o="3200" height_o="4000" data-src="https://freight.cargo.site/t/original/i/345e409bb8bf937c7e20e920d5d6ddf73732d9ae9fb5a261bd02d50030054271/Coito-13.jpg" data-mid="17781786" border="0" data-scale="65" src="https://freight.cargo.site/w/1000/i/345e409bb8bf937c7e20e920d5d6ddf73732d9ae9fb5a261bd02d50030054271/Coito-13.jpg" /&#62;



	



TRÍPTICO INFAME&#38;nbsp; /&#38;nbsp; COITO




MMXVIII

The “Tríptico Infame” (“Infamous Triptych”) is a look at the colonial devices, the technologies of confession and the rigid discipline that operated in the production of a redemptive iconography. The piece intends to establish a hybrid relationship between severity and lightness, between sculpture and furniture, from a division between that which forms the order of function and that which, desecrating it, establishes dialogues not only with decolonial hyphenation, but also with contemporary aesthetic discourses. 






	

&#60;img width="3200" height="3200" width_o="3200" height_o="3200" data-src="https://freight.cargo.site/t/original/i/b9fc62a01fb22a7428346ebfe78731c9e87ad9eabc0fcbe17a813ad6ec44680b/Coito-0-.jpg" data-mid="18457401" border="0" data-scale="47" src="https://freight.cargo.site/w/1000/i/b9fc62a01fb22a7428346ebfe78731c9e87ad9eabc0fcbe17a813ad6ec44680b/Coito-0-.jpg" /&#62;
	


&#60;img width="3200" height="4000" width_o="3200" height_o="4000" data-src="https://freight.cargo.site/t/original/i/0de609a632d8112214ddf14e1272c11c1a8df8494da29596938465e03d810797/Coito-12.jpg" data-mid="17707761" border="0" data-scale="85" src="https://freight.cargo.site/w/1000/i/0de609a632d8112214ddf14e1272c11c1a8df8494da29596938465e03d810797/Coito-12.jpg" /&#62;



	
	


	

&#60;img width="2000" height="2857" width_o="2000" height_o="2857" data-src="https://freight.cargo.site/t/original/i/72657769083547c8feab4c7b3de897bf94036d2a5871c1308b40627bcab3115c/Coito-06.jpg" data-mid="27621865" border="0" data-scale="32" src="https://freight.cargo.site/w/1000/i/72657769083547c8feab4c7b3de897bf94036d2a5871c1308b40627bcab3115c/Coito-06.jpg" /&#62;



Selected &#124; Casa VOGUE Design Award . 2019Selected &#124; Museu da Casa Brasileira .&#38;nbsp; 2018


</description>
		
	</item>
		
		
	<item>
		<title>TETA</title>
				
		<link>https://pedrovenzon.com/TETA</link>

		<pubDate>Sun, 08 Oct 2017 14:50:10 +0000</pubDate>

		<dc:creator>Pedro Paulø-Venzon</dc:creator>

		<guid isPermaLink="true">https://pedrovenzon.com/TETA</guid>

		<description>



TRÍPTICO INFAME&#38;nbsp; /&#38;nbsp; TETA




MMXVIII






The “Tríptico Infame” (“Infamous Triptych”) is a look at the colonial devices, the technologies of confession and the rigid discipline that operated in the production of a redemptive iconography. 
The pieceS intends to establish a hybrid relationship between severity and lightness, between sculpture and furniture, from a division between that which forms the order of function and that which, desecrating it, establishes dialogues not only with decolonial hyphenation, but also with contemporary aesthetic discourses.




&#60;img width="2800" height="3500" width_o="2800" height_o="3500" data-src="https://freight.cargo.site/t/original/i/486795969827676414432b0f549b79b75956e9507d0bd6204196e29a21ffcc97/Teta-Final.jpg" data-mid="18433678" border="0" data-scale="64" src="https://freight.cargo.site/w/1000/i/486795969827676414432b0f549b79b75956e9507d0bd6204196e29a21ffcc97/Teta-Final.jpg" /&#62;



	


&#60;img width="3200" height="3200" width_o="3200" height_o="3200" data-src="https://freight.cargo.site/t/original/i/1ba2302902a7aa03b4bd2b99ab72b9038562716784698ceea98e6fe9daa75245/teta-04-.jpg" data-mid="71454361" border="0"  src="https://freight.cargo.site/w/1000/i/1ba2302902a7aa03b4bd2b99ab72b9038562716784698ceea98e6fe9daa75245/teta-04-.jpg" /&#62;



	



&#60;img width="3200" height="3200" width_o="3200" height_o="3200" data-src="https://freight.cargo.site/t/original/i/55f0f30753268210f7b0ad0481333d392e1d1c0af712dd226f3816b442feb8b8/Teta-06.jpg" data-mid="18390941" border="0"  src="https://freight.cargo.site/w/1000/i/55f0f30753268210f7b0ad0481333d392e1d1c0af712dd226f3816b442feb8b8/Teta-06.jpg" /&#62;



</description>
		
	</item>
		
		
	<item>
		<title>MISSA</title>
				
		<link>https://pedrovenzon.com/MISSA</link>

		<pubDate>Sun, 08 Apr 2018 17:01:31 +0000</pubDate>

		<dc:creator>Pedro Paulø-Venzon</dc:creator>

		<guid isPermaLink="true">https://pedrovenzon.com/MISSA</guid>

		<description>
	&#60;img width="3000" height="3000" width_o="3000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/fa5dafed31d36b69e8449d189570b84d91280bc449e23cdad9273686f5a3a34d/Missa-IV.jpg" data-mid="14403963" border="0" data-scale="87" src="https://freight.cargo.site/w/1000/i/fa5dafed31d36b69e8449d189570b84d91280bc449e23cdad9273686f5a3a34d/Missa-IV.jpg" /&#62;

	

MISSA



MMXV



















Its creation
arose with the purpose of working with Brazilian colonial architecture’s
visibilities and forms, notably marked by a closure with memoirs (traditions),
and unique simplicity. The goal was re-thinking the Portuguese/Brazilian tradition
of the first architecture – and its contemporary lines – in the lines of a
design object.












	

&#60;img width="3000" height="3000" width_o="3000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/3adc5e310d1481baeedbe1a82be618d1b5dfd23d4be8cc7c403b84115c0a34ff/Missa-V.jpg" data-mid="15904949" border="0" data-scale="92" src="https://freight.cargo.site/w/1000/i/3adc5e310d1481baeedbe1a82be618d1b5dfd23d4be8cc7c403b84115c0a34ff/Missa-V.jpg" /&#62;
	

&#60;img width="3000" height="3000" width_o="3000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/28d24c72d3c68a24e3474033c86ea01d2a4a30d27a1f8b40b314c439b367b955/Missa.jpg" data-mid="18756183" border="0" data-scale="65" src="https://freight.cargo.site/w/1000/i/28d24c72d3c68a24e3474033c86ea01d2a4a30d27a1f8b40b314c439b367b955/Missa.jpg" /&#62;




Awarded &#124; Prémios Clap 2015</description>
		
	</item>
		
	</channel>
</rss>