SUBMISSA
MMXVIII
MMXVIII
Gilles Deleuze describes the relations between life, violence and eroticism according to a "pornology": not only the pornographic, but an instance of observing the world and its limits. Into this pornology – and a submissive body that bends, fragile and on its knees, in a necropolitical space – enters Submissa. This work takes shape in the interim: between a pagan affection (a displaced horn backrest, the nakedness of the thin, dense forms of the metal) and a continuous, obsequious and punitive rule, which it resists; or between its functional balance and the fragility of the discontinuous lines in which the piece is produced.
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![](https://freight.cargo.site/t/original/i/60f346013c39875b4ca60788aff34deddd1df411d030131724f6aa9256832daf/Submissa.jpg)
![](https://freight.cargo.site/t/original/i/3623eaa258be39bd2a4d1adf5bdf5d924ddfb4b2000d1d769a963bd4fbfa1db5/submissa-Chair-1.jpg)
![](https://freight.cargo.site/t/original/i/27939cb394c7f3faf86db9cb552d3f4d2664660b1c49f28b3c84566a2f149903/Submissa-Chair-2.jpg)
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