Giro parts from quite a simple, traditional format of a table and, from this cultural proximity, it uses the circular form generating several readings.: it can remind the human figure, spinning itself; it suggest a relation of monocycles and movement. This movement is one of Giro’s key points, an artifact that seems to balance itself between the least possible number of forms and a kind of merisma (the minimum difference of a linguistic structure) that, combined, generate language.